Sunday 2 November 2014

Striped Pajamas Pajamas for Women for Men Party Tumblr for Kids Clipart For Girls all Day Cartoon Pics Photo Pictures

Striped Pajamas Biography

source (google.com.pk)
Mark Herman's "The Boy in the Striped Pajamas" depends for its powerful impact on why, and when, it transfers the film's point of view. For almost all of the way, we see events through the eyes of a bright, plucky 8-year-old. Then we begin to look out through the eyes of his parents. Why and when that transfer takes place gathers all of the film's tightly wound tensions and savagely uncoils them. It is not what happens to the boy, which I will not tell you. It is -- all that happens. All of it, before and after.
Bruno (Asa Butterfield) is a boy growing up in a comfy household in Berlin, circa 1940. His dad (David Thewlis) goes off to the office every day. He's a Nazi official. Bruno doesn't think about that much, but he's impressed by his ground-level view of his father's stature. One day Bruno gets the unwelcome news that his dad has a new job, and they will all be moving to the country.
It'll be a farm, his parents reassure him. Lots of fun. Bruno doesn't want to leave his playmates and his much-loved home. His grandma (Sheila Hancock) doesn't approve of the move either. There seems to be a lot she doesn't approve of, but children are made uneasy by family tension and try to evade it.
There's a big house in the country, surrounded by high walls. It looks stark and modern to be a farmhouse. Army officials come and go. They fill rooms with smoke as they debate policy and procedures. Bruno can see the farm fields from his bedroom window. He asks his parents why the farmers are wearing striped pajamas. They give him one of those evasive answers that only drives a smart kid to find out for himself.
At the farm, behind barbed wire, he meets a boy about his age. They make friends. They visit as often as they can. The other boy doesn't understand what's going on any more than Bruno does. Their stories were told in a 2007 young adult's novel of the same name by John Boyne, which became a best seller. I learn the novel tells more about what the child thinks he hears and knows, but the film is implacable in showing where his curiosity leads him.
Other than what "The Boy in the Striped Pajamas" is about, it almost seems to be an orderly story of those British who always know how to speak and behave. Those British? Yes, the actors speak with crisp British accents, which I think is actually more effective than having them speaking with German accents, or in subtitles. It dramatizes the way the German professional class internalized Hitler's rule and treated it as business as usual. Charts, graphs, titles, positions, uniforms, promotions, performance evaluations.
How can ordinary professional people proceed in this orderly routine when their business is evil? Easier than we think, I believe. I still obsess about those few Enron executives who knew the entire company was a Ponzi scheme. I can't forget the Oregon railroader who had his pension stolen. The laughter of Enron soldiers who joked about killing grandmothers with their phony California "energy crisis." Whenever loyalty to the enterprise becomes more important than simple morality, you will find evil functioning smoothly.
There has not again been evil on the scale of 1939-1945. But there has been smaller-scale genocide. Mass murder. Wars generated by lies and propaganda. The Wall Street crash stripped people of their savings, their pensions, their homes, their jobs, their hopes of providing for their families. It happened because a bureaucracy and its status symbols became more important than what it was allegedly doing.
Have I left my subject? I don't think so. "The Boy in the Striped Pajamas" is not only about Germany during the war, although the story it tells is heartbreaking in more than one way. It is about a value system that survives like a virus. Do I think the people responsible for our economic crisis were Nazis? Certainly not. But instead of collecting hundreds of millions of dollars in rewards for denying to themselves what they were doing, I wish they had been forced to flee to Paraguay in submarines.
Bruno is the son of a Nazi commandant who is forced to leave his home in Berlin and move to Auschwitz where his father has been reassigned. He is reluctant to leave Berlin where he has two good friends, is close to his grandparents, and lives in a lovely home. Bruno is characterized by an endearing childhood innocence which becomes especially poignant when he meets a young prisoner on the other side of a fence near his house. Bruno remains strikingly unaffected by the war and unmoved by the Nazi beliefs and propaganda which he confronts daily. This may well be due to his young age or the result of his character. In any case, Bruno represents man's capacity for kindness and compassion.

Shmuel

Shmuel is a young Polish Jew who is a prisoner in Auschwitz. Bruno meets him at a fence while exploring near his house. Shmuel is as innocent as Bruno and seems not to quite understand why he is a prisoner. Shmuel reveals that his mother is a teacher who has speaks German (which she has taught him), French, Italian and English (which she plans to teach him). Until he deportation, Shmuel lived in with his mother, father and brother above his father's watchmaking shop. He tells Bruno about how he came home from school one day to find his mother making armbands for the family which the Nazis forced them to wear. Bruno has a hard time comprehending some of the stories Shmuel tells him because it seems so unimaginable to him. Shmuel becomes worried once his father goes missing in the camp and asks for Bruno's help in finding him. Bruno's willingness to help his friend results in both of them dying at the merciless hands of the Nazis.

Bruno and Shmuel seem to lead parallel yet mutually exclusive lives. They share common interests, the same birthday, and a similar perspective on life. Their friendship is not just unlikely; it defies possibility. In a world and a time where people were being told what to think, who to hate and what relationships were acceptable, Bruno and Shmuel demonstrate how resistant and resilient children can be and how important kindness and compassion are.

Gretel

Gretel, Bruno's older sister, annoys him a great deal; he refers to her as a "Hopeless Case" who does nothing but cause him grief. Gretel fancies herself far more mature and worldly than Bruno, despite her doll collection which would seem to symbolize her naivete. Gretel is increasingly interested in the beliefs and activities of the Nazi party and, after their move to Auschwitz, befriends one of the Nazi camp guards. In an effort to demonstrate her devotion and dedication to the ideals of...

Striped Pajamas Pajamas for Women for Men Party Tumblr for Kids Clipart For Girls all Day Cartoon Pics Photo Pictures

Striped Pajamas Pajamas for Women for Men Party Tumblr for Kids Clipart For Girls all Day Cartoon Pics Photo Pictures

Striped Pajamas Pajamas for Women for Men Party Tumblr for Kids Clipart For Girls all Day Cartoon Pics Photo Pictures
Striped Pajamas Pajamas for Women for Men Party Tumblr for Kids Clipart For Girls all Day Cartoon Pics Photo Pictures
Striped Pajamas Pajamas for Women for Men Party Tumblr for Kids Clipart For Girls all Day Cartoon Pics Photo Pictures
Striped Pajamas Pajamas for Women for Men Party Tumblr for Kids Clipart For Girls all Day Cartoon Pics Photo Pictures
Striped Pajamas Pajamas for Women for Men Party Tumblr for Kids Clipart For Girls all Day Cartoon Pics Photo Pictures
Striped Pajamas Pajamas for Women for Men Party Tumblr for Kids Clipart For Girls all Day Cartoon Pics Photo Pictures
Striped Pajamas Pajamas for Women for Men Party Tumblr for Kids Clipart For Girls all Day Cartoon Pics Photo Pictures
Striped Pajamas Pajamas for Women for Men Party Tumblr for Kids Clipart For Girls all Day Cartoon Pics Photo Pictures
Striped Pajamas Pajamas for Women for Men Party Tumblr for Kids Clipart For Girls all Day Cartoon Pics Photo Pictures

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